In my last post, I discussed the original audio drama system, and huge hit, the Théâtrophone. Bringing live shows and opera into the homes of people, for a small additional fee, via a wired telephone system.
At the end of the 19th century, Marconi had been granted a patent for his wireless telecommunication system. Progress on his system was quite slow to start, with only a little amateur and commercial broadcasting taking it up. With America joining World War One, however, these stations were ordered to shut down or be taken over by the government. In fact for the duration of the Great War it was illegal for any US citizen to own a radio transmitter.
Large investment accelerated its development and production for military communications in the field to great effect.
Immediately after the war, and the lifting of restrictions, the US saw a rise in amateur broadcasting and listening, mainly to their peers talking about the advances in radio transmission such as the all new cathode tubes.
Within two years, radio sets, or ‘Radio Telephones’ as they were known then, were commonplace, and commercial radio broadcasting quickly became the preferred choice for news and entertainment. This left the Théâtrophone floundering on the riverbank of entertainment, and obsolete within a decade.
Commonly given the title of first ever English speaking audio drama, was a program called ‘A Rural Line in Education’. This small sketch was aired in 1921, on Newsradio 1020 KDKA from Pittsburgh.
The sketch featured the sound effects of a phone ringing, and a brief conversation between two farmers occasionally interrupted by a switchboard operator.
According to radio historian Bill Jaker, the station didn’t want them to use the telephone sound effects, because they thought it would ‘defraud the audience into thinking they were listening to a phone call, and not a radio program’.
Soon after KYW, another Westinghouse Electric Corporation station, this time in Chicago, broadcast a season of opera. The Chicago Tribune boasted ‘50,000 listen to opera, transmitted over 1,500 miles’.
In February of 1922, the company playing the musical comedy ‘Tangerine’ on Broadway, headed out to the Westinghouse’s Newark radio station, WJZ, and test broadcast to ‘1 million’ listeners across America.
A week later WJZ broadcast Ed Wynn’s Broadway show ‘The Perfect Fool’ in its entirety, across America. Radio stations all over stopped broadcasting their own shows to help boost the signal if the weather was bad.
Radio entertainment had sparked the people’s imagination, and soon radio stations were broadcasting operas, musicals and plays, right across the globe, as we will discover in the next post.
This brand new medium was not without its naysayers however. Talk of ‘destroying theatre’, and vaudeville managers, creating contracts that forbade actors from taking part in radio programs, gives us a glimpse into how the wireless telephone was shaking the foundations of the arts.
Did you miss the first post? You can catch it via the link below.
I would love to hear your thoughts on this topic, or any other for that matter, so why not leave me a comment below or come and chat with me over on Twitter.